Wednesday, October 8, 2008

Part 3-the resurrection of me

People are often scared of what's new.  New could mean anything: good or bad, easy or hard, traumatic or inspiring.  New means unknown, unknown means unpredictable and unpredictable means we can not be prepared.     So, there is a certain understandable level of anxiety associated with a child's first day of school, an adult's first day of work at a new job, moving to a new city, a new country, or in my present situation all of the above.  Tony Robbins, a motivational speaker who calls himself a 'crazy mofo interested in why people do what they do,' explains that us humans are striving to meet 6 basic needs.  We all seek some level of certainty and uncertainty, to feel significant (as an individual) but also connected, and to achieve personal growth for ourselves while making a contribution for others.  Its the tension that some of these conflicting needs creates that makes life so complex, frustrating, and interesting.  To want certainty and uncertainty at the same time is quite a dilemma.   For the larger part of my life, I have been strikingly more aware of my desire for uncertainty.  I like the thrill of not knowing, the hope wrapped up in the possibilities of the goods, the easys, and the inspirings.  But I'm getting older and increasingly aware of life's insistence on balance; which means, the bads, the hards and the traumatics.  I'm not there yet, still jumping into newness with my optimistic blinders on, maybe with a touch more hesitation, but still jumping nonetheless.  So, mostly I experience the anxiety of newness as an after thought, as a "what have I done?" rather than a "what am I about to do?"  

I started teaching on the 15th of September.  I started teaching in a new school, in a new city, in a new country.  Which is a whole lot of newness to digest.  But beyond all of these beginnings was an even deeper kind of new.  I found out upon arrival at my new school that instead of being a kindergarten teacher in an International school, I was to be an English teacher of kindergarteners in a Turkish school.  To non teachers I'm not so sure the distinction is clear, but I don't think you would take a gynecologist, put her in a pediatricians office and expect her to know how to deliver a baby.  Yes, they are both doctors and probably won't kill their patients no matter what kind of medicine they are practicing.  But will they be able to apply their expert knowledge to act in the best interest of their patients, outside of their expertise?  

On September 15 I had no idea what it meant to be an English teacher to non English speaking children.  I didn't know how to communicate with children without language.  I didn't know how to make a child feel safe with me, secure that I could meet their needs when I couldn't understand what their needs were.  They would ask to go to the bathroom and I would offer them a cup of water.  They would get into a fight over god knows what, because I couldn't understand either of the children's sides when they would cry them out to me, and I would stare at them blankly.   And even for those occasions when I witnessed the act which made children upset, I had no idea how to help them move towards a just resolution when they couldn't understand me.  How could I know a child, how could I support his emotional and social well being, when all of those domains were happening outside of my grasp? And of course, how could I teach a child unless I knew a child?  

If its not clear yet why this predicament shook me so, let me explain that I became a teacher because of my interest in the social, emotional and psychological realms of learning.   I am a good teacher because of my ability to communicate and reason with people, children included.  But as an English teacher of kindergarteners in a Turkish school, I no longer knew how to communicate or reason with my students.  Moreover, the social, emotional and psychological aspects of teaching were neither within my grasp nor under my job description.  In fact, I was expressly told not to focus on those aspects and concentrate solely on teaching the English language. 

My communication with children became almost barbaric: "Stop," "No," "Don't do!"  To redirect with positive or constructive frames always included more words, most of which were not in these children's vocabularies; saying "honey, he doesn't like it when you push him," just wasn't going to make it across the language gap, and I needed little Sarp to stop pushing little Osman.  So I used commands, I used reprimands and I used the universal language of shouting.  So so quickly, I became a teacher I never wanted to be.

Because I'm me and can not abstract difficulties beyond the present, because I consider myself open and willing to jump into the unknown full of its potential wins as well as losses, when I discovered my teaching job switch-a-roo I said "okay, sure, let's see what being an English teacher is all about." What I failed to do, or at least what I did not mentally prepare myself for, was the shock of moving from the security of feeling skilled to the insecurity of being unskilled.  As a 'pediatrician' I helped kids to feel better.  I knew the right things to say, I knew when and how to say them.  I knew which symptoms meant which sicknesses and I, for the most part, was pretty damn good at helping kids get healthy; it was instinctive.  But now in this new job in this new country I'm delivering babies and I don't feel like I have a freaking clue what to do, let alone how to do it well.  The moms are screaming and the kids are covered in bloody gunk, and I don't know which actions I should be taking in which order, what to say to calm the moms down, or what to do to make the babies stop crying.  Not only was I not successful, but now I was clueless.  And quite frankly, I wasn't sure that as a 'gynecologist' I was doing my part to uphold the Hippocratic Oath--it felt to me that I was doing harm. 

Beyond this disturbing layer of newness, lies the newness of the culture of my school.  Every school has its own culture which I would have to adjust to no matter where I lived, but joining a new school in a new country meant that there was an even greater bridge to cross in order to understand first what's happening and second why it is happening.    Because I had no solid ground to stand on, because I did not know what I was supposed to be doing, because I did not have my own sense of what an English teacher looked like, sounded like, should act like, I followed suit with the culture of the school, I mimicked everything I saw. other teachers do  So, when other teachers yelled I yelled, when other teachers insisted children "sit properly," I insisted children "sit properly."  When other teachers pulled children out from the group to embarrass them in front of their classmates, threatening to send them back to nursery school where they could act like babies, I well, I abetted.  And quickly sunk into a state of panic, negativity and identity crisis as I would never have done any of these things in my previous life, as a 'pediatrician.'
 
Now before I take this doctor metaphor to far and everyone gets confused as to what it is I am actually doing here in Turkey, I want to go back to my classroom.   The first week was painful, clearly.   So painful, that on Monday of the second week I had come down with a bad cold--psychologically induced I'm sure.  Because I was sick everything felt more dramatic, so I called a meeting with my supervisor to explain that I was not happy with my new position.  I proposed that I observe the other English teachers in the school to broaden my sense of this new position.   The next morning I spent observing another teachers English class, and I loved it.  Love, might be a strong word and maybe only useful as a counterpoint.  Maybe I didn't love it as much as I didn't find it painful--which I guess sometimes can be confused with love.  In this other teacher's classroom I found myself connecting with the children beautifully, for the most part they could understand my miming and simplified language, and I could understand their gestures and facial expressions.  In this class the children seemed to feel safe with me and I felt comfortable with them.  It was a miracle.  Even though I did not know the course of the day I instinctively knew how to insert myself to be both present and helpful.  At first I thought it was the magic of the teacher who's class I was observing, that maybe she had created such a wonderful atmosphere that this was possible.    But the same thing happened in the next two classes I observed.  Yes, these teachers were experienced and good at what they do.  And yes, I learned some new tricks in every single class I observed, ways of introducing material or recollecting children's focus.  But, more than this I believe that being outside of the charged environment which my classroom had become, Stella was able to get her groove back (and by Stella I mean me).

At the end of that first day, over the course of an extremely long bus ride home thanks to Istanbul's grueling traffic problems, I spoke with my Turkish teacher partner and she said some pretty smart stuff.  She reminded me about how much communication happens without language.  My problem may have originated with my students discomfort with me, that I spoke this funny language, that I couldn't meet their needs, but it was my response to their fear that set the wheel in motion.  Because I responded to their fear with my panic, they responded with more fear and I responded with more panic--and in the course of a week our dynamic was set.   Understanding the genesis of this problem also helped me to undo it; if it was a cycle all I had to do was break the cycle, to keep my cool.  A declaration that was easy enough to make.

My supervisor told me that songs, chants and rhymes was the cornerstone of the English language curriculum.  So, that night I read through a 400 page book of English songs and nursery rhymes.  I needed to find the songs that would allow me to come through, because god knows singing "Bah Bah Black Sheep have you any wool?" was not where I felt at home.  I needed to feel comfortable with myself, with the students and with the material, for the children to feel comfortable with me.  Armed with a number of songs I excitedly remembered loving from my childhood and a well rehearsed, thought out plan for the day, I went back into my classroom.  I figured if its the newness that sends me into this panic, then lets prepare for as many possibilities as possible-lets take the "eeeeew" out of "new."  

The day was progressing as the other days had before, like trying to herd a room full of cats without going mad from futility.   I had explained that I wanted to sing a new song with the class.  No one listened.  I talked at (not with) a room full of children about the song, and instead of getting upset that no was listening I simply began to sing.  "The ants go marching one by one, Hurrah! Hurrah!" and like a scene out of an after-school special, that one line was enough for the room to go silent...that is except for me.  I kept singing.  "The ants go marching one by one. HURRAH! HURRAH! The ants go marching one by one, the little one stops to suck her thumb, and they all go marching down into the ground to get out of the rain."  And for about three seconds the class full of five year olds sat their silently, staring at me, in awe.   I gulped, unsure of their response, trying not to panic, when all of the sudden one child ran up to me and hugged me shouting in Turkish 'again, again.'  The rest all piled on, and as soon as I emerged from underneath my first set of hugs from these children we sang that sung maybe 9 more times.  We acted it out, marching around, stopping to suck our thumbs, crawling into the ground, hiding from the imaginary rain.  I couldn't have asked for a more poignant and immediate response to my attempts to set a new dynamic.  Of course not seamlessly, but dramatically things improved.  I felt comfortable, so the children became comfortable with me.  Because they became comfortable with me, I became more comfortable...and the more I felt like, yeah maybe I would still rather be a pediatrician and yeah maybe I will always be a better pediatrician than a gynecologist, but at least I can bring these babies into the world without doing anyone any harm. 

Now, I don't know if there was a way for me to presuppose this set of problems when I found out I was to be an English teacher to Turkish children.  But I wonder if the next time I'm faced with jumping into an abyss of newness it will be enough for me to say to myself, think about what you are about to do so you don't have to say 'what have I done?'  Or perhaps its just a matter of  remembering that to be a beginner again may shake me, so I should hold on to some of these roots about who I am and who I want to become.  Or maybe, its the shaking that allows us to invent ourselves anew, necessary no matter how painful the process may be.  I suspect though that part of this play concerns the dreaded process of growing up, or at least my dreaded process of growing up.  Of which part of that play definitely has to do with accepting the need for balance--which means respecting the role of both certainty and uncertainty, the new and the familiar, in life.    

1 comment:

Lenny Vee said...

This post reminded me of the time we were Odyssey cows in Carlson's english class - Plus que ca change, plus que c’est la meme chose.